"The audience enters a completely dark, tiny, long room with low ceiling, taking their seats on small metal chairs after finding their way through the narrow concrete labyrinth of the bunker. At first, they can see only the appearance of a small blue circle, which looks rather like a projection of a mask than like a real face. And so it stands for nearly 7 minutes; only the blue spotlight becomes more intense, so that one can see the slow movements of the head.

I feel that something pulls me up. The music in this part represents the separation of the soul from the body. That is the first part of the performance entitled Death is in my sight today (derived from The dialogue between a man weary of life and his own Soul, an ancient Egyptian poem from the Berlin Papyrus 3024 manuscript).

My principal concern is the critical view of society in the broadest sense, both on the local and the global levels. Would You Digitalize Your Soul is a project that attempts to create a platform for thinking and discussion about man's foundations, juxtaposing the history of civilization and the contemporary digital systems of understanding. I ask myself whether the contemporary sense of time and the measure of speed are compatible with the evolution of communication between men and the communication of man with himself?"

"Would You Digitalize Your Soul?" is a 60-minute performance in repeating two parts, incorporating the body, music, lighting, time and space, created and performed by Tanja Ostojic. V. Radonjic composed the original 60-minute soundtrack for this performance. This work is the continuation of a project that has been first realised as a set of posters and flyers unofficially exhibited on the streets on the occasion of the Venice Biennial 1997, by T. Ostojic and S. Gajin.

WYDYS was first performed in a German bunker from World War II, in Nantes, France, March 1999 and repeated in the ICA-London, also in March 1999.